Historian Andrew Cohen discusses Robert Drew's 1963 documentary Crisis: Behind a Presidential Commitment.

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With an uncanny ability to mimic just about any dialect he heard and accompany it with a hilariously appropriate facial expression, classic nightclub comedian Myron Cohen built his career on the art of effective storytelling. Filmed in Warwick, R.I., and hosted by fellow comedian Steve Allen, this installment of HBO's "On Location" series captures Cohen in his element, spinning yarns that are sure to make you laugh.

A firestorm has been raging on many American college campuses. Ignited by the devastating October 2023 Hamas attack on Israel and the catastrophic war in Gaza, the outrage deeply divided American campuses and in some places devolved into hate-filled rhetoric and arrests. FRONTLINE and Retro Report have been following the escalating turmoil since the war began — talking to people on all sides of the divide, investigating how universities have responded, how powerful interests joined the fray, and how the conflict over the conflict ultimately spiraled out of control. From director James Jacoby (Netanyahu, America & the Road to War in Gaza, Amazon Empire, Age of Easy Money) and Retro Report producers Scott Michels and Joseph Hogan, Crisis on Campus examines how the debate over one of the world’s most intractable and complex conflicts has gripped American college campuses.

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Using footage from Cocteau's Orphée, Mary Helena Clark optically prints an interstitial space where the ghosts of cinema lurk beyond and within the frames.

Celebrated filmmaker Tony Palmer follows Leonard Cohen on his 1972 European tour. The film, after extensive re-editing from its initial version, opened in London in 1974. It was shown on German television, but it disappeared for decades and was considered a lost film. Its original version, restored by the director, was released on DVD in 2010 and had its first theatrical release in 2017.

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Perhaps it speaks to the sheer power and beauty of L’Atalante that 40 years after its initial butchered release, critics and fans still seek to piece together Vigo’s vision – and debate the choices involved in that process. Bernard Eisenschitz, who was involved with Luce Vigo (daughter of Jean Vigo) in the 1990 reconstruction of this masterwork, takes us into the raw materials by which this complex film was re-envisioned and continues to be analyzed and changed today. An important vision of film as a tradition of viewership, curation and exploration.